Archive for the 'Color correction' Category

But it didn’t look dark on my monitor!

Wednesday, January 3rd, 2007

The great news about monitors is they keep getting brighter. But the brighter they become, the more people are disappointed by dark prints.
Dark prints are now the #1 reason prints are returned:

The problem is, the brighter the monitor, the more dark shots look normal. But while monitors get brighter each year, prints never [...]

Wedding dress blues

Wednesday, October 5th, 2005

Most wedding dresses have anti-stain coatings that are fluorescent — meaning they glow blue when you shine UV light on them.
Unfortunately, most flashes emit UV unless you place a filter over their heads. Using the Canon EX550 flash for fill made this dress blue where the flash hit it hardest:

Some photographers have a photoshop [...]

The dark side of digital cameras

Monday, July 25th, 2005

I don’t know why this isn’t mentioned in books and forums, but we certainly see it often with even the best digital cameras.
In shots taken with on-board flash, the poor fair-skinned caucasian with little skin pigment, a redish complexion, or blemishes goes nuclear:

Neither your eye nor film sees near-infrared light. But common in-camera and [...]

The sweetness that is i2e

Friday, June 24th, 2005

When you think industrial-strength color correction, you think…Photoshop.
Trouble is: time. It takes for-EVAH to get decent color correction with Photoshop. That’s okay for landscape photographers, but what event photographers have the time to Photoshop 500 photos?
And face it: Photoshop’s autocolor is a joke.
Enter i2e, the program I use for 90% [...]